Banksy's latest work engages Hull's past and future in the playful critique of a drawbridge that's been permanently raised since 1994.
Banksy’s Latest Work Pokes Fun at a Permanently Raised Drawbridge with a “Powerful” History
Banksy's latest work engages Hull's past and future in the playful critique of a drawbridge that's been permanently raised since 1994.
Spacejunk art center director Alban Morlot shares the motivation behind their first-ever Points de Vue Street Art Week in Bayonne, France.
Australian artist Chris Fox transformed a 1931 wooden escalator into public sculpture that brings M. C. Escher to a Sydney train station.
For the first time ever yesterday, a Brooklyn jury ruled that graffiti can be considered art of "recognized stature."
Banksy held a mock celebration of the 100th anniversary of the Balfour Declaration, but the event was protested by Palestinians who thought the stunt was in poor taste.
West End Street Art Festival founder Jenna Williams shares the motivations for creating Australia's first dedicated festival and market celebrating street art and design.
Artist Mark Reigelmän shares the inspiration behind his 2017 installation in Boston, "The Meeting House."
In 2014 Melbourne released its “Graffiti Management Plan”—first-of-its-kind legislation that distinguished between “unwanted graffiti” and “street art...with the blessing of property owners.”
After leaving a Banksy work up for ten months, the owners of the building on which the work appeared carve it out of the wall, reselling it for a record $1.1 million.
A collaboration between Stik and young local artists—painted on the side of metal shipping containers—is chopped up and sold by a London gallery.
Lindsey Mancini is an arts accessibility activist and digital strategist studying the essential connectedness—or disconnectedness—between art and community.
She currently works in communications at the Yale School of Art, and teaches as an adjunct professor of contemporary art at Eastern Connecticut State University. In 2017 she earned an MS with distinction in the history of art & design from Pratt Institute, where she wrote her 80-page thesis on street art theory. Lindsey is currently pursuing a PhD in Visual Arts, Philosophy, Aesthetics, and Art Theory from the Institute for Doctoral Studies in the Visual Arts.