Banksy’s Latest Work Pokes Fun at a Permanently Raised Drawbridge with a “Powerful” History

RAISE THE DRAWBRIDGE! / DRAW THE RAISED BRIDGE!

Banksy’s latest site-specific intervention was confirmed today when the artist posted photos of the work on Instagram. Appearing on Hull’s Scott Street Bridge early this morning, the local community had already been speculating for hours on Banksy’s role in creating the piece when he posted the photos.

A little boy sits atop an existing graffiti tag, with a colander for a helmet and a toy sword raised in the air, the words “DRAW THE RAISED BRIDGE!” written over his head. The work appears to satirize the Scott Street Bridge it’s painted on, a drawbridge that’s been permanently raised since 1994. Banksy’s new work uses a double-meaning in the word “draw” to inspire fellow artists and critique the city, which in 1986, was already receiving recommendations to demolish or to refurbish the bridge, none of which has taken place in the 24 years since its closure.

The bridge has an interesting history though: Built in 1901, the double bascule bridge (the type most famously seen at Tower Bridge in London) was originally powered by a high pressure water main, maintained by the first public power distribution company in the world.

By selecting this location for installing the piece, the work both praises the city’s innovative past and critiques its dilapidated present, engaging with graffiti writers of the past and inspiring those of the future to “draw!” Viewers who look closely might notice the boy has a pencil taped to the end of his toy sword.

About the author

Lindsey
Lindsey

Lindsey Mancini is an arts accessibility activist and digital strategist studying the essential connectedness—or disconnectedness—between art and community.

She currently works in communications at the Yale School of Art, and teaches as an adjunct professor of contemporary art at Eastern Connecticut State University. In 2017 she earned an MS with distinction in the history of art & design from Pratt Institute, where she wrote her 80-page thesis on street art theory. Lindsey is currently pursuing a PhD in Visual Arts, Philosophy, Aesthetics, and Art Theory from the Institute for Doctoral Studies in the Visual Arts.

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About the Author

Lindsey

Lindsey

Lindsey Mancini is an arts accessibility activist and digital strategist studying the essential connectedness—or disconnectedness—between art and community.

She currently works in communications at the Yale School of Art, and teaches as an adjunct professor of contemporary art at Eastern Connecticut State University. In 2017 she earned an MS with distinction in the history of art & design from Pratt Institute, where she wrote her 80-page thesis on street art theory. Lindsey is currently pursuing a PhD in Visual Arts, Philosophy, Aesthetics, and Art Theory from the Institute for Doctoral Studies in the Visual Arts.