Inspired by the existing murals filling both sides of Yale University’s La Casa Cultural de Julia de Burgos building, the luminescent Finding Home now stands as a third testament recognizing and commemorating the ever-expanding myriad of cultural identities that make up the Yale student body. In November 2021, Los Angeles-based artist Lauren YS came to New Haven to collaboratively create...
An introductory note: The following is my artist statement, submitted as part of my PhD application in the winter of 2020 to the Institute of Doctoral Studies in the Visual Arts. Now that I’ve successfully completed my first semester (😅), I’d like to share this text with you all here in an attempt to better contextualize the work I’m doing online through the Arrow...
The following text comes from the recent ArtAround publication, Analysis: San Francisco, a 25-page report based on manually compiled and indexed data on 534 artworks documented across the 7×7 square miles of the city, in a documentary endeavor I conducted (and previously wrote about here) between June 2013 and May 2015. The report offers charts and data on the Where, Who, What, How, and When...
Curator Roger Gastman shares how his monumental exhibition "Beyond the Streets" might function as a template for exhibiting and educating outside of traditional art world institutions.
For the first time ever yesterday, a U.S. court ruled that graffiti—despite its ephemeral nature—is indeed protected under the Visual Artist Rights Act of 1990. 5Pointz developer Jerry Wolkoff has been ordered to pay $6.75 million in damages for the destruction of the graffiti landmark 5Pointz. Yesterday the presiding judge in the case, Federal District Judge Frederick Block, upheld a civil...
In his only English-language interview on the subject, Invader shares his perspective on the “uproar” caused by his recent invasion in Bhutan.
Banksy's latest work engages Hull's past and future in the playful critique of a drawbridge that's been permanently raised since 1994.
For the first time ever yesterday, a Brooklyn jury ruled that graffiti can be considered art of "recognized stature."
Lindsey Mancini is an arts accessibility activist and digital strategist studying the essential connectedness—or disconnectedness—between art and community.
She currently works in communications at the Yale School of Art, and teaches as an adjunct professor of contemporary art at Eastern Connecticut State University. In 2017 she earned an MS with distinction in the history of art & design from Pratt Institute, where she wrote her 80-page thesis on street art theory. Lindsey is currently pursuing a PhD in Visual Arts, Philosophy, Aesthetics, and Art Theory from the Institute for Doctoral Studies in the Visual Arts.